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Written by Matthew Toomey

Created: 23 June 2013

Germain (Luchini) is at home marking the assignments of his high school literature class. The students had a simple task – write about what happened to them over the weekend. Unfortunately, their submissions are terrible. He reads a sample of them to his wife, Jeanne (Scott Thomas), and it’s clear that these students simply do not care about the subject.

There’s an exception though. A 16-year-old named Claude (Umhauer) submitted a lengthy hand-written piece. He reveals that he is infatuated with the home from a fellow student, Rapha (Ughetto). He’ll often sit on a bench in the adjoining park and fantasise about what goes on inside. It’s rather creepy.

Over the weekend, Claude took his obsession one step further. He befriended Rapha and offered to help with his maths homework. It may seem a kind, gracious act but Claude isn’t after a new friend. He just wants to be invited inside the house so he can snoop around and get a sense of what their life is like. While Rapha is completing a maths problem in his bedroom, he can peak into cupboards and eavesdrop on conversations shared between Rapha’s mother (Seigner) and father (Menochet).

Claude’s story ends with the words “to be continued” and it leaves Germain somewhat shocked. Claude deserves a good mark as it’s an open, well-written piece that comes with a splash of mystery and intrigue. It will grab the attention of any reader. However, it also reveals that Claude a cunning, sinister individual.

Germain considers alerting the school’s headmaster but in the end, he decides to encourage Claude to keep writing. Is this because he thinks Claude is a gifted student who could one day be a great author? Or is it because he’s now drawn into the story and wants to know more about the secret lives of Rapha and his family?

There are a few moments within In The House that push the boundaries of believability but this is still an interesting, creative, puzzling film that is best described as a black comedy. It’s a dark subject matter but writer-director François Ozon (Swimming Pool, 8 Women) adds a few light touches to keep the audience on edge. These characters are messed up and yet there I was, sitting in the back row of the cinema, with a smile on my face.

Many elements of this tale will keep you thinking and guessing. How much of Claude’s story is real? How much has been embellished so as to make it more appealing? Also, what’s the deal with Germain? Should he spending so much time helping Claude outside of regular school hours? Who really has the upper hand in their student-teacher relationship?

In The House took out the FIPRESCI Prize at the 2012 Toronto Film Festival and picked up 6 César Award nominations including best picture (losing to Amour). I’m not alone with my admiration for the film and as one of the year’s best foreign language releases, you should be checking it out.

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Written by Matthew Toomey

Created: 12 June 2013

Some quick facts to bring you up to speed – (1) After Earth is set about 1,000 years into the future, (2) humans were forced to flee Earth and they now live on a planet called Nova Prime, and (3) their new planet is under attack from “fear sensing” creatures known as Ursas.

If this makes the film sound like an exciting science fiction adventure, think again. This is a family orientated film… and by that, I mean that it’s a family orientated vehicle for Will Smith. Some dads will get their kid a new bike. Other dads get their kid the leading role in a $130m action blockbuster. Given that Will Smith is the film’s co-writer and co-producer, I’m pretty confident only one actor auditioned – his 14-year-old son, Jaden.

Will Smith takes on the role of Cypher – a leading general within an important peacekeeping organisation. His strong leadership has helped save the planet from numerous alien attacks and he is highly regarded by his troops. Unfortunately, Cypher doesn’t seem to have the right work-life balance. He’s spent too much time saving the world and not enough time with his son, Kitai (the role gifted to Jaden Smith).

Cypher’s wife (Okonedo) comes up with a way of remedying the situation. Kitai can accompany his father on a routine mission into a space. That way, Cypher can still fulfil his duties while spending quality time with his son. What could go wrong?

As we soon find out, a LOT could go wrong. The spaceship encounters problems and is forced to make a crash landing on the planet Earth (how convenient). Most of the crew were killed and the only two survivors were Cypher and Kitai (also convenient). The only way they can be saved is if they can locate the ship’s rescue beacon that detached during the crash. They can’t do it together though. Cypher’s leg is broken and so it’s up to Kitai to travel 100km across Earth’s rugged terrain and activate the beacon. Oh, and I should also mention that there’s one of those “fear sensing” aliens on the loose.

So is Will Smith using this film to help push the acting career of his son? Um, yes… and it couldn’t be more obvious. Let it be noted that Will Smith is a HUGE box-office drawcard. Between 2002 and 2008, he starred in 8 consecutive movies that grossed more than $135m in the United States. Studios pay him big dollars, they put him in exciting leading roles and then they sit back and reap the profits.

That’s not the case here. It doesn’t happen often but we’re seeing Will Smith in a supporting role. On top of that, it’s as if every emotion has been erased from his memory. He speaks in a robotic, monotone voice and I’d strongly argue that it’s the most boring character he’s ever played. This is a deliberate decision though. He’s being a “good father” and giving all the flashy action scenes to Jaden.

The problem is that Jaden Smith struggles to carry this film. When you think about other action leads this year – Robert Downey Jr in Iron Man, Chris Pine in Star Trek, Vin Diesel in Fast & Furious 6 – you realise that he’s not up to the task. If you’re going to engage the audience, you need someone who is strong and charismatic. Jaden Smith is not that. His character comes across as immature, over-emotional and it’s hard to believe he can extract himself from so many perilous situations (always at the last minute too).

After Earth doesn’t offer much by way of story either. The theme is well-defined (yay for a father and son getting to know each other) but the execution is messy. As part of his journey, Kitai bumbles his way through an assortment of obstacles that resemble levels in a video game. There’s one scene where he’s trying to outrun a series of giant baboons. It’s clear these baboons are faster and are closing in… but every time we switch to a new camera angle, they’re suddenly further away. What could have been an exciting sequence is anything but.

Nominated for an Academy Award in 2000 for The Sixth Sense, director M. Night Shyamalan has struggled in recent years. After a string of failures (Lady In The Water, The Happening, The Last Airbender) it’s reached the point where his name is mud. That may sound harsh but how else can you explain why he isn’t mentioned in the two trailers for After Earth? There’s always the chance he’ll return to form with a great comeback feature but sadly, that day is not today.

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Written by Matthew Toomey

Created: 18 June 2013

When you think of films like Finding Nemo, The Incredibles, Ratatouille, WALL-E and Up, it’s easy to see why Pixar are the leaders when it comes to family friendly animation. All of these films won the Academy Award for best animated feature and all of them came with a great story.

For the most part, Pixar have steered clear of sequels. Aside from the two follow ups to Toy Story and the not-so-great sequel to Cars, Pixar have focused on new material. It seems that mantra is changing. Perhaps they’re looking to boost the company’s bank account. Perhaps they’re simply bowing to public pressure. Whatever the reason, Monsters University is now in cinemas and a Finding Nemo sequel will be out in late 2015.

To quickly refresh your memory, Monsters, Inc. was set in a world where monsters of all shapes and sizes lived happily together. They had secret doorways that led into the “human world” but they were only used for one purpose. They’d sneak in at night, scare the bejesus out of small children and then capture their screams to be used as an energy source. For obvious reasons, only the scariest monsters were selected.

Monsters University serves as a prequel to the 2001 original. When it begins, our two protagonists, Mike (Crystal) and Sulley (Goodman), haven’t even met. It’s their first day at college and they’re both looking to impress their lecturer and fellow students within the high profile School of Scaring. They’re in for a quick reality check though. The university’s headmaster (Mirren) lays down the ground rules. If you’re not scary enough to pass the final exam, it’ll be time to start looking for another profession.

The film covers familiar ground in terms of its family orientated themes. Mike learns that you should never give up no matter how hard it seems. No one gives him a chance of making it because of his small size but he’s determined to study for hours every day and prove everyone wrong. On the flip side, Sulley learns that there are no free rides in life. He thinks he’ll cruise through the program because his father was a famous monster but he quickly realises it won’t be that easy.

There’s also a new group of characters from the not-so-popular fraternity Oozma Kappa. They’d given up on their chances to enter the School of Scaring but find themselves reinvigorated when they join Mike and Sulley in a school-wide scaring competition. Here we can tick off two other recognisable messages – (1) never write-off the underdog and (2) never undervalue the importance of friendship.

Please note that I’m not trying to be dismissive. I don’t expect Mike to give up on his dreams, develop a drug addiction and spend the rest of his life living in a ditch. That’s not how family movies work (although I wouldn’t mind seeing one take that kind of chance). What I’m trying to illustrate is that Monsters University is a safe film. Aside from one interesting twist at the start of the third act, things generally plan out as you’ll expect.

As was the case with Monsters, Inc., this is a film to be remembered for its great characters above anything else. It’s hard not to smile while listening to Billy Crystal and John Goodman argue back and forth. Their “buddy” relationship is reminiscent of that shared between Buzz and Woody in the Toy Story series. You’ll also notice the distinctive voices of Steve Buscemi and Helen Mirren who tap into their villainous personalities.

You could argue that Monsters University lacks the freshness of the original but it’s still nice to revisit this world and be charmed by these fun-loving monsters.

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Written by Matthew Toomey

Created: 09 June 2013

It takes some encouragement from her daughter but Anne (Magi) is ready for a fresh start. Her mother recently passed away, her kids have moved out of home and she’s been divorced for a decade. There’s nothing keeping her Estonia and so she’s decided to accept a position as a live-in carer in Paris. She studied French in college but this will be her first trip to France’s capital city.

Anne has been employed by a man named Stéphane (Pineau) to look after an elderly woman named Frida (Moreau). Their connection is not made clear at first but we learn that these two were once lovers. It was a short lived affair and the two have remained close friends ever since. Frida professes that, along with her late husband, he’s one of only two men that she’s ever cared about.

Stéphane doesn’t provide much in the way of instruction to Anne and she quickly discovers that this will not be an easy assignment. Frida is a wealthy lady with a beautiful Parisian apartment… but she’s also rude, stubborn and reclusive. On her first full day, Anne does what she is asked and prepares croissants and tea for breakfast. Frida isn’t happy though. She scoffs that the croissants taste like plastic and she tips the tea on the floor.

I’m sure there are many elderly folk that will never change. We don’t often see them in movies however. We prefer stories about those who have an epiphany. They suddenly appreciate the richness of life and the value of good company. I speak of films such as Driving Miss Daisy, Gran Torino and The Visitor.

In this case, a trust starts to develop between Frida and Anne. They come from very different backgrounds but deep inside, they’re both realise that they’re lonely people looking for someone who will listen. In the words of Humphrey Bogart – “this could be the start of a beautiful friendship.”

There’s not much more to it than that. With only three characters of note, this is a simple, agreeable, dialogue-driven tale. It’s not preachy and for the most part, it’s not filled with artificial drama. An icon of French cinema, 85-year-old Jeanne Moreau delivers a tender performance as the grouchy yet insecure Frida. She is well supported by Laine Mägi and it’s a nice touch to see her character walking the streets of Paris by night and exploring the city’s wonders for the first time.

There’s a subplot late in the film involving Frida’s past involvement with an Estonian choir that feels a little forced, messy. It detracts only slightly from what is a warm-hearted piece of French cinema.

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Written by Matthew Toomey

Created: 16 June 2013

According to Wikipedia, there are at least 640 zombie movies. I’ve got a hunch that many of these went “straight to video” but still, it’s a subject matter that filmmakers are turning to again and again and again.

I wasn’t sure what to expect from World War Z but I was hooked within the first 20 minutes. After a quick getting-to-know-you sequence in the family kitchen, Gerry (Pitt) and his family get in their car and go for a drive through Philadelphia. As they reach the city centre, they find the traffic is backed up on every street, police motorcycles are flying past and helicopters are hovering above. What is going on?

It’s a great scene because we’re only seeing things from Gerry’s perspective. We know something is wrong… we just don’t know what it is yet. An explosion in the distance kick starts the pandemonium. Thousands of people are running through the streets and screaming loudly. For those in cars, it’s time to drive as if the road rules no longer apply.

It’s time for the big reveal. This isn’t a terrorist attack. We’re dealing with ZOMBIES! Once they get their teeth into you, it’s only a matter of seconds before you’re a new member of the growing zombie army. Gerry and his family manage to escape the mayhem but only thanks to his former employer – the United Nations. They orchestrate a daring helicopter rescue and fly the family to the safety of a U.S. navy ship stationed in the Atlantic Ocean.

It is there where Gerry realises the gravity of the situation. The President of the United States has been killed and the Vice President is missing. Zombie attacks are being reported across the globe and the computer models suggest that it’s only a matter of time before the planet is completely overrun.

Gerry also learns there was an ulterior motive behind his rescue. Given his expertise as a top-notch investigator, he has been asked to return to the mainland and locate the original source of the virus. He will accompanied by a doctor and a well-armed military team. It’s an extremely risky assignment but Gerry reluctantly agrees realising it’s the only way his wife and two children can be guaranteed lodging aboard the ship.

We’ve seen a bunch of action blockbusters so far this summer (Iron Man 3, Star Trek Into Darkness, Fast & The Furious 6) but this is the first time we’ve seen one offer suspense. This is not just because of the freaky looking zombies. It’s also because of the perilous situations crafted by the screenwriters (who have drawn from Max Brooks’ 2006 novel of the same name). With every major scene, you’ll be asking yourself – how the hell are they going to get out of this?

In the leading role, Brad Pitt is a good fit as the film’s strong yet reluctant hero. Ok, so it’s a bit of a stretch to think that he can pull off so many amazing escapes but still, it’s hard not to admire his character’s calm demeanour and the common-sense way in which he goes about the task at hand. Watching him unpick the mystery of the zombies is far more interesting than similar films which focus on “shooting anything that moves”. This is most evident during the finale.

Throw in a few unexpected plot developments and World War Z adds up to an engaging action-thriller. Do see it.