Welcome to the Film Pie! Brisbane based film critic Matt Toomey has reviewed thousands of movies since 1996. See what's out now, or browse the review archive.

Mini Reviews

Monster Summer (out Jan 9) is pitched at the teenage crowd and is a Stranger Things-style thriller about kids terrorised at Martha's Vineyard by a witch. It doesn't make much sense (the adults' lack of concern is laughable) but the interactions between the kids provide an emotional heartbeat which gives the film a boost. Grade: B-.

Conclave (out Jan 9) is from German director Edward Berger (All Quiet on the Western Front) and is a drama-thriller about Catholic Cardinals who meet in Vatican City and form factions in selecting a new pope. It gets too “twisty” at times but just like a Knives Out-style whodunit, you’ll be speculating throughout about who’s playing who. The music, cinematography, and production values are superb. Grade: A-.

Nosferatu (out Jan 1) is an above-average entry within the vampire genre. It’s not trying to sell big laughs, easy scares, and/or gruesome deaths. It’s more of a psychological drama about the way in which Count Orlok, who always has the upper hand, manipulates others in pursuit of his own desires. Grade: B+.

Paddington in Peru (out Jan 1) does enough to appease the masses. While it’s easy-to-follow, and has more fun, overexaggerated characters, headlined by Olivia Colman and Antonio Banderas, it doesn’t feel as charming as the last two movies. It’s too much humour and not enough heart. Grade: B.

The Room Next Door (out Dec 26) is a disappointing outing from acclaimed Spanish director Pedro Almodóvar. It's the story of a woman dying from cancer who asks an old friend to assist with euthanasia. I was bored by the characters and, aside from the final 15 minutes, I was similarly bored by the narrative. Grade: C+.

Sonic the Hedgehog 3 (out Dec 26) introduces a new villain voiced by Keanu Reeves and is the best instalment in the franchise. Hits the mark in terms of humour and fun. Grade: B+.

Anora (out Dec 26) is a conversation-generating film about a 23-year-old exotic dancer from New York City who falls in love with the excitable 21-year-old son of a Russian oligarch.  The opening act focuses on romance, the middle act is screwball comedy, and the final act develops into a meatier drama. Hard to pick a favourite amongst the exemplary performances. Grade: A.

A Real Pain (out Dec 26) is a dark comedy about two 30-something-year-old American cousins who go on a week-long tour through Poland to understand their family heritage. It’s a wonderful character study with Kieren Culkin having the flashier role as the bipolar Benji while Jesse Eisenberg, who serves as writer-director, is also excellent as an introvert with obsessive-compulsive disorder. The film deftly mixes comedy, drama and heart in achieving its goals. Grade: A.

Parthenope (out Dec 26) is the kind of movie you’d expect from director Paolo Sorrentino (The Great Beauty). It doesn’t always make sense but the soft music and beautiful cinematography generate a hypnotic vibe that lure you in. A movie with something to say about love, beauty, ageing, and the city of Naples. Makes you reflect on life. Grade: B+.

All We Imagine as Light (out Dec 26) won the Grand Prix (runner-up) prize at the Cannes Film Festival and is centred on three women who work in Mumbai hospital. It highlights the importance of friendship in helping cope with day-to-day struggles. Won’t blow you away but a worthy movie with nice characters. Grade: B+

Better Man (out Dec 26) is biopic about the life of British entertainer Robbie Williams. Heavy on CGI and narration, it shows him to be a gifted, narcissistic, insecure, drug abusing, alcoholic show-off who loved his grandmother and wanted to play at Knebworth. By illustrating these qualities again and again, the film becomes repetitive and runs out of puff. Grade: B-.